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| | | | | | THE PAST AS PRESENT IN THE DRAMA OF AUGUST WILSON | | | By: Harry J. Elam Jr. | | | Synopsis | Table of Contents | | | | | | | Contents | | | | | | The Overture: "To Disembark" . . . . . . . . . . . . . . . . . . . | ix | | | | | Introduction: (W)righting History: A Meditation in Four Beats . . | 1 | | | | | Chapter 1: The Music Is the Message . . . . . . . . . . . . . . . | 27 | | | | | Chapter 2: Fools and Babes . . . . . . . . . . . . . . . . . . . . | 57 | | | | | Chapter 3: The Woman Question . . . . . . . . . . . . . . . . . . | 88 | | | | | Chapter 4: Men of August . . . . . . . . . . . . . . . . . . . . . | 127 | | | | | Chapter 5: Ogun in Pittsburgh: Resurrecting the Spirit . . . . . . | 166 | | | | | Chapter 6: The Rhetoric of Resistance by Way of Conclusion . . . . | 215 | | | | | | | | The Doing and Undoing of History: An Epilogue . . . . . . . . . . | 232 | | Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . | 247 | | Selected Bibliography . . . . . . . . . . . . . . . . . . . . . . | 271 | | Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . | 281 |
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