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STAGE LIFE OF PROPS
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THE STAGE LIFE OF PROPS
By: Andrew Sofer
Synopsis  |  Table of Contents
CONTENTS
 
Introduction: Rematerializing the Prop . . . . . . . . . . . . . .1
 
1 Playing Host: The Prop as Temporal Contract on the Medieval Stage 31
 
2 Absorbing Interests: The Bloody Handkerchief on the Elizabethan Stage 61
 
3 Dropping the Subject: The Skull on the Jacobean Stage  . . . . .89
 
4 The Fan of Mode: Sexual Semaphore on the Restoration and
Early Eighteenth-Century Stage . . . . . . . . . . . . . . . . . .117
 
5 Killing Time: Guns and the Play of Predictability on the Modern Stage 167
 
Notes  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .203
Bibliography . . . . . . . . . . . . . . . . . . . . . . . . . . .251
Index  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .269
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