|
 |
| | | | | | THE HANDBOOK OF STAGE LIGHTING | | | By: Neil Fraser, Simon Bennison | | | Synopsis | Table of Contents | | | | | | | Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . | 6 | | Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . | 7 | | | | | 1 The Job of the Lighting Designer . . . . . . . . . . . . . . . . | 9 | | | | | 2 The Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . | 14 | | | | | 3 The Director and the Designer . . . . . . . . . . . . . . . . . | 17 | | | | | 4 The Theory . . . . . . . . . . . . . . . . . . . . . . . . . . . | 21 | | | | | 5 Meetings and Discussions . . . . . . . . . . . . . . . . . . . . | 37 | | | | | 6 Rehearsals . . . . . . . . . . . . . . . . . . . . . . . . . . . | 41 | | | | | 7 Creativity and Inspiration . . . . . . . . . . . . . . . . . . . | 45 | | | | | 8 The Task of Lighting in Preparation . . . . . . . . . . . . . . | 50 | | | | | 9 The Equipment . . . . . . . . . . . . . . . . . . . . . . . . . | 63 | | | | | 10 The Task in Practice . . . . . . . . . . . . . . . . . . . . . | 75 | | | | | Case Studies: Lighting Design in Action . . . . . . . . . . . . . | 84 | | 11 Lighting for Drama . . . . . . . . . . . . . . . . . . . . . . | 87 | | | | | 12 Lighting for Dance . . . . . . . . . . . . . . . . . . . . . . | 131 | | | | | 13 Lighting for Ballet . . . . . . . . . . . . . . . . . . . . . . | 151 | | | | | 14 Lighting for Opera . . . . . . . . . . . . . . . . . . . . . . | 163 | | | | | Endnote . . . . . . . . . . . . . . . . . . . . . . . . . . . . . | 172 | | Bibliography . . . . . . . . . . . . . . . . . . . . . . . . . . . | 173 | | Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . | 174 |
| | | | |
|
| | | | | | |
|