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ACTING GAMES
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ACTING GAMES
By: Marsh Cassady
Synopsis  |  Table of Contents
TABLE OF CONTENTS
 
Acknowledgements . . . . . . . . . . . . . . . . . . . . . . . . .v
 
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . .1
 
PART I: RELAXING AND FOCUSING EXERCISES  . . . . . . . . . . . . .7
Warming Up . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
Physical Relaxation  . . . . . . . . . . . . . . . . . . . . . . .9
Mental Relaxation  . . . . . . . . . . . . . . . . . . . . . . . .14
Slow and Easy  . . . . . . . . . . . . . . . . . . . . . . . . . .20
 
PART II: ACTING GAMES  . . . . . . . . . . . . . . . . . . . . . .29
Learning to Be Sensitive . . . . . . . . . . . . . . . . . . . . .31
Being in Touch With the World Around You . . . . . . . . . . . . .31
Getting in Touch With Yourself . . . . . . . . . . . . . . . . . .33
Getting in Touch With Others . . . . . . . . . . . . . . . . . . .39
Freeing the Imagination  . . . . . . . . . . . . . . . . . . . . .44
Learning to Concentrate  . . . . . . . . . . . . . . . . . . . . .65
 
PART III: IMPROVISATIONS . . . . . . . . . . . . . . . . . . . . .81
Using Space  . . . . . . . . . . . . . . . . . . . . . . . . . . .83
Building Scenes  . . . . . . . . . . . . . . . . . . . . . . . . .103
Finding Intentions . . . . . . . . . . . . . . . . . . . . . . . .107
Learning to Build Characters . . . . . . . . . . . . . . . . . . .117
 
PART IV: EXERCISES FOR CHARACTERS, SCENES, AND PLAYS . . . . . . .131
Working With Existing Characters and Scenes  . . . . . . . . . . .133
Analyzing Your Characters  . . . . . . . . . . . . . . . . . . . .144
Working With Original Characters . . . . . . . . . . . . . . . . .158
The Character Interview  . . . . . . . . . . . . . . . . . . . . .158
Given Circumstances  . . . . . . . . . . . . . . . . . . . . . . .175
 
About the Author . . . . . . . . . . . . . . . . . . . . . . . . .179
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