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IMPROVE WITH IMPROV!
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IMPROVE WITH IMPROV!
By: Brie Jones
Synopsis  |  Table of Contents
TABLE OF CONTENTS
 
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . .1
 
Chapter 1: Orientation . . . . . . . . . . . . . . . . . . . . . .5
 
Chapter 2: Improvisation . . . . . . . . . . . . . . . . . . . . .11
 
Chapter 3: Techniques of Character Development . . . . . . . . . .17
 
Chapter 4: Ensemble  . . . . . . . . . . . . . . . . . . . . . . .21
 
Chapter 5: Physicalization . . . . . . . . . . . . . . . . . . . .27
 
Chapter 6: Sustaining  . . . . . . . . . . . . . . . . . . . . . .33
 
Chapter 7: Vocal Technique . . . . . . . . . . . . . . . . . . . .37
 
Chapter 8: Pantomime . . . . . . . . . . . . . . . . . . . . . . .41
 
Chapter 9: Props . . . . . . . . . . . . . . . . . . . . . . . . .47
 
Chapter 10: Imagination  . . . . . . . . . . . . . . . . . . . . .53
 
Chapter 11: Entrances and Exits  . . . . . . . . . . . . . . . . .57
 
Chapter 12: Gibberish  . . . . . . . . . . . . . . . . . . . . . .61
 
Chapter 13: Animals  . . . . . . . . . . . . . . . . . . . . . . .65
 
Chapter 14: Fantasy  . . . . . . . . . . . . . . . . . . . . . . .69
 
Chapter 15: Conflict . . . . . . . . . . . . . . . . . . . . . . .73
 
Chapter 16: Poetry to Performance  . . . . . . . . . . . . . . . .79
 
Chapter 17: Commedia Dell'Arte . . . . . . . . . . . . . . . . . .83
 
Chapter 18: Wedding Improv Character Development . . . . . . . . .89
 
Chapter 19: The Big Finish . . . . . . . . . . . . . . . . . . . .113
 
Chapter 20: More Ideas . . . . . . . . . . . . . . . . . . . . . .121
 
Appendices . . . . . . . . . . . . . . . . . . . . . . . . . . . .127
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